Showing posts with label Broadway. Show all posts
Showing posts with label Broadway. Show all posts

Thursday, January 15, 2009

Sardi's

I was 17 when I got a house account at Sardi's.

Working next door to one of the most famous restaurants in the world certainly had its benefits. I was making $3.15 an hour. It was one the best jobs in my career. …and I have some great stories about that famous restaurant.

Tony the Doorman

Tony was a big man... and the first person you would meet going in to Sardi's, and the last person when you left. He was the doorman. He had a long red coat with a ‘captain’s hat. In the winter, he put on ear muffs and gloves. I remember how cold he looked as he would stand outside for hours on end…opening the front door, and helping people into and out of the endless line of cabs that lined 44th Street.

One evening between shows, I was hanging out in the lobby talking with my best friend Art Rosalin. He was the audio engineer on the show (who would be the best man at my wedding 8 years later). It was a very cold night, and we started talking about Tony.

He was standing there in the freezing cold. His cheeks were beet red, and he when he wasn’t working the cabs he would wait just under the canopy to escape the blowing wind.

I felt sorry for Tony.

Art looked at me and said; “Don’t be a putz, look at how mich money he's making.” So I watched. A cab would pull up, and he’d get the door, and then he’d get a tip. Get into the cab, Tip. Get out of the cab, Tip. Open the Door, Tip. It all happened so fast that I was missing it. It was like watching a brilliantly choreographed dance of dollars.

One day in March, Tony didn't show up for work. I went inside and asked Martin, who was Vincent’s MaĆ®tre Di, where Tony was. Oh, he said, “He’s on his three week vacation to Sicily”.

I didn’t feel sorry for Tony anymore.


My Mother's Stuffed Cabbage.

My mother made great stuffed cabbage. And when she made stuffed cabbage it was cause for celebration in our house. One day she wrapped some up for me to take to work for dinner. I was very happy. No tuna sandwich that night, no sir Some good home cooking. But there was a problem. I didn’t have a way to heat it up, and you certainly can't eat stuffed cabbage cold.

So I walked next door with my dinner wrapped up in foil, and asked Martin if he could heat it up in the kitchen. About ten minutes later, he is walking through the restaurant with the aroma of my mother’s stuffed cabbage filling the air. Vincent smelled it and he asked if he could have a taste…a small price to pay for heating my dinner. It was a hit. He wanted the recipie so he could put it on the menu!

I went home that night with the good news. I had visions of my mother’s stuffed cabbage on the menu of the most famous restaurant on Broadway.

I don’t know why she said no…but I never brought dinner to work again after that.


Meeting Joseph Papp

On Broadway there were only a few people that were really important. Among that elite group was Joseph Papp. If you don’t know about Joseph Papp, then I suggest you click here and learn more about him. It's a better story if you know who he was. http://en.wikipedia.org/wiki/Joseph_Papp

Marty Grupp was one of the musicians in the Billy Taylor Orchestra, and the musical contractor for the show. I think he was also the musician’s shop steward. That made him an important person. And I was beginning to learn about important people.

Even though I was ‘technically’ too young (17) to be hanging out at the bar at Sardis I went with Marty Grupp, so it really didn’t matter. The bar was packed as usual.

We were sitting at a table and Marty asked me, “Kid, who do you think is the most important person at the bar?” I wasn’t sure who was even there, so I got up and walked over to the bar and started looking. I started to eliminate people. That guy wasn’t wearing a tie, another looked nervous. I started to look at their cufflinks, shoes, watches and suits. How can you tell if someone is important by how they dress?

You know how this is going to end, right? It’s easy now, but I was clueless then.

I went back to the table, and picked out the guy who I thought looked ‘important’. Marty started to chuckle. We got up and walked over to the middle of the bar. He pointed out a guy off in the corner, all by himself. I didn't even see him at first. He was a rumpled looking man with this far away look in his eyes. He wearing a shirt, jeans and was absorbed in reading the newspaper. Marty said, "Rusty, that’s the most important guy here. And he knows it and that's all that matters. He doesn’t need to impress anyone. Come on, I’ll introduce you".

And that’s how I met Joseph Papp.

Friday, January 9, 2009

My encounter with The Great One!




Which Way Kid....

There is nothing like Broadway.

And I was working there.Everyday I left school early to catch the 2:36 train in Baldwin to get to my job as a page for The David Frost Show at The Little Theatre on 44th Street. I was like a sponge, absorbing everything I saw and everyone I met. I have so many memories and stories from those days...this is one of my favorites!

It was a typical day. Everyone was getting ready for another night. Tony, the doorman at Sardi's was enjoying his early afternoon dinner. The box offices were busy selling tickets, and the offices above the theatres were humming with activity. A few doors down was the loading dock of The Times. They were getting ready for the midnight load when the big trucks carrying these enormous rolls of newsprint would be lining up to drop off their loads for the midnight print run of tomorrow's New York Times.

I was backstage at The Little Theatre, home of The David Frost Show where I worked as a page and cue card writer, when word came down from upstairs that Jackie Gleason was coming in from Florida to be the only guest for the entire show.

Jackie Gleason. The Great One would soon be walking through the door. For only the second time I could remember, David was on time because he knew better than to keep the Great One waiting.

He was so much more in person than I had expected. It was like watching the cover of Life magazine jumping off the page. He wasn't a big man, but he was larger than life. He had such a command of the room that nothing else seemed to matter. He was dignified, elegant, and smart.. he was The Great One. I could just imagine someone coming up to him and calling him "Jackie" and then walking away headless.

This was the second time that David had interviewed him, and he seemed to really enjoy doing the show. He wore a three piece suit and had his cigar. He was accompanied by his girlfriend...and they made quite a couple.

So now the show is over and it started to rain. Mr. Gleason arrives in the lobby from backstage. They are going to see a show at the Royal Box on 45th. I am standing behind him and he turns around and says 'let's go'...looking straight at me. I look at my boss, Jim McDonough with a 'go I go?' look in my eye and just grabbed an umbrella. And I am now walking behind the Great One (and his girlfriend) as they walk into Shubert Alley. The street was full of people, but no one bothered him.

We reached 45th Street and it happened.

He stopped and turned around and looked at me and asked: "Which way kid?"

You know how sometimes it seems like everything freezes in slow motion. That was what I felt like.

Then I heard words come out of my mouth, "Left, Mr. Gleason". We walked another 30 feet, I closed the umbrella, he said 'thanks', and they disappeared into the theatre.

I walked back to the Little Theatre, just glad that I remembered that the Royal Box was to the left.

And I went to school the next day walking just a bit taller.